Friday, January 23, 2009

Your Urgent Action is Needed! SD Governor Announces Plans to Kill All Arts Funding For the State

Dear Friend of the Arts,

The arts in South Dakota need your help.

The revised budget Governor Rounds presented to the South Dakota Legislature cuts all funding to the South Dakota Arts Council.

The South Dakota Arts Council provides a primary source of grant funding to many local arts organizations and artists throughout the state. Shutting down this agency means that South Dakota would be the only state in the nation without a state arts council or state-run arts program.

If the doors to the South Dakota Arts Council are closed, I can not imagine the barriers that will need to be broken down for their reopening in the future.

The arts affect every one of our lives, every single day. Funding from the South Dakota Arts Council provides local artists and arts organizations with the financial resources needed to create art that makes our communities beautiful, programs that inspire and educate us, enhancing our lives.

Please take two minutes to help.

Write a letter or email your Legislators. You can find your Legislator contact information here: http://legis.state.sd.us/who/index.aspx

Below is a sample letter to use by simply copying and pasting into a new document.

I greatly appreciate your advocacy on this important issue.

Sincerely,
Robert Joyce
Executive Director

Dear [Legislator],

I am writing in support of state funding for the South Dakota Arts Council. I do not favor the proposed elimination of this important state agency.

If you have attended a symphony concert, community theater production, jazz concert, visited a local art gallery, or your children attend a public school, you have surely witnessed the positive impact that South Dakota Arts Council funding provides for us all.

-Last fiscal year, the state of South Dakota’s investment in the arts was 86 cents for each state resident. The return on that investment included $48 million in economic impact from programs by arts organizations across the state.

-In addition, that 86 cents for each citizen sent 26 artists to 162 schools for 231 weeks, bringing arts opportunities to 35,000 South Dakota young people.

-And that same 86 cents per person investment made $1.1 million available on a matching basis to 530 local arts organizations and other non-profit arts programs, schools, artists and units of government in every county of South Dakota.

-The arts attract a creative and educated workforce for our state, furthering economic growth. Cutting funding to the Arts Council would put hundreds of jobs in jeopardy and threaten the retention of our most precious resource, our young people.

-A typical attendee of a nonprofit arts event spends $27.79 per person, per event (excluding admission) on transportation, lodging, and other event-related costs. Non-local attendees spend twice as much.

-Tourists who visit South Dakota because of an arts related event are more likely to spend more in our state, using hotels and spending more than the average traveler.

Shutting down the Arts Council means that South Dakota would be the only state in the nation without a state arts council or state-run arts program.

At a time when our newly-elected President sees the arts as a vehicle for national change and has stimulus plans to increase support for the National Endowment for the Arts by $50 million dollars, South Dakotans may completely miss out. Without funding from the state legislature, the South Dakota Arts Council won’t be eligible for any matching funding from the National Endowment for the Arts.

I trust that you will work to reinstate funding for the South Dakota Arts Council.

Sincerely,

[YOUR NAME]

Monday, January 19, 2009

MLK on Jazz

On the Importance of Jazz
Dr. Martin Luther King, Jr., Opening Address to the 1964 Berlin Jazz Festival, WPFW News (Washington), [23 August 2002]

God has wrought many things out of oppression. He has endowed his creatures with the capacity to create—and from this capacity has flowed the sweet songs of sorrow and joy that have allowed man to cope with his environment and many different situations.

Jazz speaks for life. The Blues tell the story of life's difficulties, and if you think for a moment, you will realize that they take the hardest realities of life and put them into music, only to come out with some new hope or sense of triumph.

This is triumphant music.

Modern jazz has continued in this tradition, singing the songs of a more complicated urban existence. When life itself offers no order and meaning, the musician creates an order and meaning from the sounds of the earth which flow through his instrument.

It is no wonder that so much of the search for identity among American Negroes was championed by Jazz musicians. Long before the modern essayists and scholars wrote of racial identity as a problem for a multiracial world, musicians were returning to their roots to affirm that which was stirring within their souls.

Much of the power of our Freedom Movement in the United States has come from this music. It has strengthened us with its sweet rhythms when courage began to fail. It has calmed us with its rich harmonies when spirits were down.

And now, Jazz is exported to the world. For in the particular struggle of the Negro in America there is something akin to the universal struggle of modern man. Everybody has the Blues. Everybody longs for meaning. Everybody needs to love and be loved. Everybody needs to clap hands and be happy. Everybody longs for faith.

In music, especially this broad category called Jazz, there is a stepping stone towards all of these.


Dr. Martin Luther King, Jr. Opening Address to the 1964 Berlin Jazz Festival

Thursday, January 8, 2009

Tuesday, January 6, 2009

Blue Note Turns 70



We are greatly looking forward to wrapping up our 2008-09 concert series by celebrating the 70th Anniversary of Blue Note Records with an all-star lineup of musicians.

On Wednesday, March 25 at the Orpheum Theater, Bill Charlap on piano (musical director), Ravi Coltrane on tenor saxophone, Peter Bernstein playing guitar, Lewis Nash on drums, Nicholas Payton on trumpet, Peter Washington playing bass and Steve Wilson on alto saxophone will explore a sample of some of the most notable tunes from the Blue Note Records catalog.

NPR's Talk of the Nation will spend time today discussing the history of the record label. More information available here along with a playlist of Bill Charlap's Blue Note Picks.

Tickets to the March 25 concert are on sale now!

Monday, January 5, 2009

Obama and the Arts: "incredibly important"

President-elect Obama discusses the importance of the arts and culture during an interview on Meet the Press, December 8, 2008.

See the video here: http://video.google.com/videoplay?docid=-5154432425426831376&hl=en

Tuesday, December 9, 2008

Grammy Nominees Announced!

It's always fun to see who is on the Grammy list, especially when it includes musicians that have performed on our concert series or at JazzFest!

Field 10 — Jazz

Category 45

Best Contemporary Jazz Album
(For albums containing 51% or more playing time of INSTRUMENTAL tracks.)

  • Randy In Brasil
    Randy Brecker
    [MAMA Records]

  • Floating Point
    John McLaughlin
    [Abstract Logix]

  • Cannon Re-Loaded: All-Star Celebration Of Cannonball Adderley
    (Various Artists)
    Gregg Field & Tom Scott, producers
    [Concord Jazz]

  • Miles From India
    (Various Artists)
    Bob Belden, producer
    [4Q/Times Square Records]

  • Lifecycle
    Yellowjackets* Featuring Mike Stern
    [Heads Up International]
*The Yellowjackets played the Washington Pavilion on May 19, 2001 for the 2000-01 concert series.

Category 46

Best Jazz Vocal Album
(For albums containing 51% or more playing time of VOCAL tracks.)

  • Imagina: Songs Of Brasil
    Karrin Allyson*
    [Concord Jazz]
*Karrin Allyson played the Sioux Falls Orpheum Theater on April 8, 2006 for the 2005-06 concert series.
  • Breakfast On The Morning Tram
    Stacey Kent
    [Blue Note]

  • If Less Is More...Nothing Is Everything
    Kate McGarry
    [Palmetto Records]

  • Loverly
    Cassandra Wilson*
    [Blue Note]
*Cassandra Wilson played the Sioux Falls Orpheum Theater on March 26, 2004 as part of the 2003-04 concert series.
  • Distances
    Norma Winstone (Glauco Venier & Klaus Gesing)
    [ECM]

Category 47

Best Jazz Instrumental Solo
(For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.)

  • Be-Bop
    Terence Blanchard*, soloist
    Track from: Live At The 2007 Monterey Jazz Festival (Monterey Jazz Festival 50th Anniversary All-Stars)
    [Monterey Jazz Festival Records]
*Terence Blanchard played the Sioux Falls Orpheum Theater on February 19, 2000 as the 1999-00 concert series.
  • Seven Steps To Heaven
    Till Brönner, soloist
    Track from: The Standard (Take 6)
    [Heads Up International]

  • Waltz For Debby
    Gary Burton & Chick Corea*, soloists
    Track from: The New Crystal Silence
    [Concord Records]
*Chick Corea & Origin played the Washington Pavilion on January 15, 2000 as part of the 1999-2000 concert series.
  • Son Of Thirteen
    Pat Metheny*, soloist
    Track from: Day Trip
    [Nonesuch Records]
*Pat Metheny played with his trio at the Washington Pavilion on March 26, 2000 as part of the 1999-2000 concert series.
  • Be-Bop
    James Moody, soloist
    Track from: Live At The 2007 Monterey Jazz Festival (Monterey Jazz Festival 50th Anniversary All-Stars)
    [Monterey Jazz Festival Records]


Category 48

Best Jazz Instrumental Album, Individual or Group
(For albums containing 51% or more playing time of INSTRUMENTAL tracks.)

  • The New Crystal Silence
    Chick Corea* & Gary Burton
    [Concord Records]
*Chick Corea & Origin played the Washington Pavilion on January 15, 2000 as part of the 1999-2000 concert series.
  • History, Mystery
    Bill Frisell
    [Nonesuch Records]

  • Brad Mehldau Trio*: Live
    Brad Mehldau Trio
    [Nonesuch Records]
* The Brad Mehldau Trio played the Sioux Falls Orpheum Theater on April 22, 2005 during the 2004-2005 concert series.
  • Day Trip
    Pat Metheny With Christian McBride & Antonio Sanchez
    [Nonesuch Records]

  • Standards
    Alan Pasqua, Dave Carpenter & Peter Erskine Trio
    [Fuzzy Music]


Category 49

Best Large Jazz Ensemble Album
(For large jazz ensembles, including big band sounds. Albums must contain 51% or more INSTRUMENTAL tracks.)

  • Appearing Nightly
    Carla Bley And Her Remarkable Big Band
    [WATT]

  • Act Your Age
    Gordon Goodwin's Big Phat Band
    [Immergent]

  • Symphonica
    Joe Lovano* With WDR Big Band & Rundfunk Orchestra
    [Blue Note]
*Joe Lovano played the Sioux Falls Historic Orpheum Theater on January 25, 2008 as part of the 2007-2008 concert series.

  • Blauklang
    Vince Mendoza
    [Act Music and Vision (AMV)]

  • Monday Night Live At The Village Vanguard
    The Vanguard Jazz Orchestra
    [Planet Arts Recordings]


Category 50

Best Latin Jazz Album
(Vocal or Instrumental.)

  • Afro Bop Alliance
    Caribbean Jazz Project
    [Heads Up International]

  • The Latin Side Of Wayne Shorter
    Conrad Herwig & The Latin Side Band
    [Half Note Records]

  • Song For Chico
    Arturo O'Farrill & The Afro-Latin Jazz Orchestra
    [Zoho]

  • Nouveau Latino
    Nestor Torres
    [Diamond Light Records]

  • Marooned/Aislado
    Papo Vázquez The Mighty Pirates
    [Picaro Records]

Field 13 — Blues

Category 66

Best Traditional Blues Album
(Vocal or Instrumental.)

  • The Blues Rolls On
    Elvin Bishop
    [Delta Groove Music, Inc.]

  • Skin Deep
    Buddy Guy*
    [Silvertone Records]
*Buddy Guy played JazzFest 2005 on July 15th.
  • All Odds Against Me
    John Lee Hooker Jr.
    [Steppin' Stone Records/CC Entertainment]

  • One Kind Favor
    B.B. King
    [Geffen Records]

  • Pinetop Perkins & Friends
    Pinetop Perkins* & Friends
    [Stoneagle Music/Telarc]
*Pinetop Perkins played the Sioux Falls Historic Orpheum Theater on March 24, 2001 as part of the 2000-2001 concert series.

Category 67

Best Contemporary Blues Album
(Vocal or Instrumental.)

  • Peace, Love & BBQ
    Marcia Ball*
    [Alligator Records]
*Marcia Ball played JazzFest 2001 on July 21st.
  • Like A Fire
    Solomon Burke
    [Shout! Factory]

  • City That Care Forgot
    Dr. John* And The Lower 911
    [429 Records]
*Dr. John played the Washington Pavilion on November 16, 2001 as part of the 2001-2002 concert series.
  • Maestro
    Taj Mahal*
    [Heads Up International]
*Taj Mahal played JazzFest 2008 on July 18th.
  • Simply Grand
    Irma Thomas
    [Rounder Records]

Wednesday, December 3, 2008